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Fiction
Article
Draining groundwater
Groundwater is a hidden resource for our system. If we make a smart use of the basements of theâŚ
Article
4. Action: No witnessing without imagination
In negotiating trust and truth, in deciding what actions to engage in, in expressing oneâsâŚ
ACADEMIA
Trauma and Witnessing
Stephanie Bezanquen, a French philosopher focusing on cultural representations of genocide and massâŚ
Collection
Performance
In social interaction people perform presence in relation to one another. When meeting a grim faceâŚ
Article
Preliminary Agenda
Workshop On RELATION, 18-20 September, Stockholm
ACADEMIA
Media-auric effect
Huygheâs work, therefore, can only be fully understood with the help of a conceptual framework thatâŚ
ACADEMIA
Pierre Huyghe: A Journey that wasnât
Now, Huygheâs A Journey that wasnât evokes fiction by its title alone because of its poetic denialâŚ
ACADEMIA
Fictional presence
We have drifted away somewhat from Nevejanâs theory of YUTPA through this reassessment ofâŚ
ACADEMIA
Witnessing Simulacra
The idea that the new technological media have changed our idea of presence and witnessing has beenâŚ
ACADEMIA
Natural, mediated and witnessed presence
This paper does not intend to give an all-inclusive overview of presence theories, but makes use ofâŚ
ACADEMIA
Winessing personae in cyberspace
The Oxford English Dictionary defines âwitnessâ as âthe action or condition of being an observer ofâŚ
ACADEMIA
Media change dynamic of Apostrophe
One pivotal aspect with regard to theatricality is that it manifests itself in a present, in theâŚ
ACADEMIA
After the Deluge, by Kara Walker
The work that Walker made shortly after hurricane Katrina had caused the flooding of New OrleansâŚ
ACADEMIA
The Jewelled Hair-comb, by Maria DermĂ´ut
Maria DermĂ´ut was born in Pekalongan, in 1888 as a member of a family that had lived in the DutchâŚ
Article
âWhat a thrill it is to be here!â
âWhat a thrill it is to be here!â Margaret Atwood exclaimed as she addressed the audience of theâŚ
Article
Catholijn
Catholijn works on negotiation.
ART
Witnessing the âSelfâ
Self-witnessing is vital to human social interaction. So what happens when a designer fails toâŚ
ART
Here, Everywhere and Nowhere
Do the end-users have a presence in the design process? Being the ultimate client, what impact doâŚ
ART
Multiple Identities
What is a designer? What is the public notion of this group of professionals whose presence isâŚ
Article
To create the sense of place
Creating the sense of place in theatre is mostly a collaborative effort of many. As a playwrightâŚ
Article
Good stories are fueled by emotions
In good stories, finds Lavery, you feel a story and every secene is about slightly more than itâŚ
Article
Robust structure for âmagic in the airâ
As playwright Lavery suggests a rhythm, using her sense of where peopleâs behavior needs silence
Article
Writing a play: rhythm in actions that change characters
When confronted with the definition of a play as a system of time, place, relations and actions
Article
Trusting to Act
When rehearsing her play Stockholm, which is about the relationship of two people who are very muchâŚ
