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Fiction
Article
Draining groundwater
Groundwater is a hidden resource for our system. If we make a smart use of the basements of theâŚ
Article
4. Action: No witnessing without imagination
In negotiating trust and truth, in deciding what actions to engage in, in expressing oneâsâŚ
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Trauma and Witnessing
Stephanie Bezanquen, a French philosopher focusing on cultural representations of genocide and massâŚ
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Performance
In social interaction people perform presence in relation to one another. When meeting a grim faceâŚ
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Preliminary Agenda
Workshop On RELATION, 18-20 September, Stockholm
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Media-auric effect
Huygheâs work, therefore, can only be fully understood with the help of a conceptual framework thatâŚ
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Pierre Huyghe: A Journey that wasnât
Now, Huygheâs A Journey that wasnât evokes fiction by its title alone because of its poetic denialâŚ
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Fictional presence
We have drifted away somewhat from Nevejanâs theory of YUTPA through this reassessment ofâŚ
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Witnessing Simulacra
The idea that the new technological media have changed our idea of presence and witnessing has beenâŚ
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Natural, mediated and witnessed presence
This paper does not intend to give an all-inclusive overview of presence theories, but makes use ofâŚ
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Winessing personae in cyberspace
The Oxford English Dictionary defines âwitnessâ as âthe action or condition of being an observer ofâŚ
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Media change dynamic of Apostrophe
One pivotal aspect with regard to theatricality is that it manifests itself in a present, in theâŚ
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After the Deluge, by Kara Walker
The work that Walker made shortly after hurricane Katrina had caused the flooding of New OrleansâŚ
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The Jewelled Hair-comb, by Maria DermĂ´ut
Maria DermĂ´ut was born in Pekalongan, in 1888 as a member of a family that had lived in the DutchâŚ
Article
âWhat a thrill it is to be here!â
âWhat a thrill it is to be here!â Margaret Atwood exclaimed as she addressed the audience of theâŚ
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Catholijn
Catholijn works on negotiation.
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Witnessing the âSelfâ
Self-witnessing is vital to human social interaction. So what happens when a designer fails toâŚ
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Here, Everywhere and Nowhere
Do the end-users have a presence in the design process? Being the ultimate client, what impact doâŚ
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Multiple Identities
What is a designer? What is the public notion of this group of professionals whose presence isâŚ
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To create the sense of place
Creating the sense of place in theatre is mostly a collaborative effort of many. As a playwrightâŚ
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Good stories are fueled by emotions
In good stories, finds Lavery, you feel a story and every secene is about slightly more than itâŚ
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Robust structure for âmagic in the airâ
As playwright Lavery suggests a rhythm, using her sense of where peopleâs behavior needs silence
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Writing a play: rhythm in actions that change characters
When confronted with the definition of a play as a system of time, place, relations and actions
Article
Trusting to Act
When rehearsing her play Stockholm, which is about the relationship of two people who are very muchâŚ
