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playing in the medited corridor

  • Frans-Willem Korsten

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    Frans-Willem's working space

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  • article_academia

    The Jewelled Hair-comb, by Maria DermƓut

    Maria DermĆ“ut was born in Pekalongan, in 1888 as a member of a family that had lived in the Dutchā€¦

  • article_academia

    The rhetorical structure of the act of witnessing

    Witnessing appears to have an awkward relation with either rhetoric or aesthetics, because of theā€¦

  • article_academia

    No false witnessing

    Walkerā€™s solution, by digging in history and archives and turning the objects she has found into anā€¦

  • article_academia

    The not being-there in the being-there

    The making of a drawing can be considered as an icon for apostrophe, since the maker of the drawingā€¦

  • Article

    References

    Barilli R (1989) Rhetoric (trans. G Menozzi). Minnesota UP, Minneapolis.

    Berg van Sapoera C J G Lā€¦

  • article_academia

    Media change dynamic of Apostrophe

    One pivotal aspect with regard to theatricality is that it manifests itself in a present, in theā€¦

  • Article

    Making glass

    amazing how the fire ....

  • article_academia

    Simultaneous and dual address

    The ā€œwonderā€ involved consists, in part, in a change of situation that is not an event. An eventā€¦

  • article_academia

    Who is witnessing the destruction?

    The point is ironically illustrated by some of Walkerā€™s pieces that depict the biblical flood orā€¦

  • article_academia

    Turning away to adress the audience

    With regard to apostropheā€™s powers to affect an audience, the Quintillian-passage may serve toā€¦