Environmental Interaction
When human beings work with material, shape material, the material shapes them at the same time. The potter centres the clay and the clay centrs the potter. While operating technology, technology affcets human beings as well. The mobile phone for example changed human decision behaviour. Interacting with material, including interaction with technology, shapes human beings and influences their spatiotemporal trajectories up to the point that others recognize them. In communities of practice the recognizing of spatiotemporal trajectries is a requirement for developing shared concepts out of which language emerges.
-
ART
Witnessing: Multifaceted glasses
With my work I want to demonstrate how minimal alterations can have a monumental effect and thatā¦
-
Article
Sharing Rhythm is required for witnessing to take place
The spatial dimension is physical embodiment, but in the online environment weāre disembodied, timeā¦
-
Article
Rhythm essential for well being
One of the great people working on synchrony was Condon. Working in psychiatry, he understood theā¦
-
Article
No timing, no meaning
In music timing is very important. If you get the rhythm right, the tune will be recognizable asā¦
-
Article
Trust: Outside in and inside out
In face-to-face contexts transactions are emerging out of rhythm and coordination. People say thatā¦
-
Article
The āOnline Weā: from cognitive understanding to feeling
Gill tells several stories about the surprising fact that people develop a sense of āweā in onlineā¦
-
Article
Collaborative Action through Flow
Being in flow with others makes it easier to act. When someone is out of flow, it is harder forā¦
-
Article
Flow, to be able to move with others, is a survival skill.
Skills for being in flow, irrespective of cultures, are learned from the moment youāre born throughā¦
-
Article
Presence as connection
Satinder Gill argues that in order to witness, there has to be a connection. The notion of presenceā¦
-
ART
Witnessing motivation
Both my own witnessing and the witnessing by peer participants seemed to have a clear impact on theā¦
-
ART
Witnessing collaboration
This particular workshop was in effect the first try-out of the Biomodd Workshop format. The twoā¦
-
ART
Main glass ingredients: sand / soda / limestone
70% Silica (sand) SiO2 , 18% Sodium oxide (soda ash) Na2O, 12% Calcium carbonate (lime) CaO meltedā¦
-
ART
Interpreted transparency: Do you see what I see?
My fascination with glass started, at the age of eight, when I got my first pair of glasses. What aā¦
-
ART
9. What Time Zone?
How does my body feel in an online 24/7 economy, in which day and night, future and past, merge inā¦
-
ART
7. What Privacy?
Reactions of participants: At the touching moment that their faces are unveiled into the light, andā¦