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Making glass

  • Frans-Willem Korsten

amazing how the fire ....

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  • ACADEMIA

    Simultaneous and dual address

    Simultaneous and dual address

    The “wonder” involved consists, in part, in a change of situation that is not an event. An event…

  • ACADEMIA

    The rhetorical structure of the act of witnessing

    The rhetorical structure of the act of witnessing

    Witnessing appears to have an awkward relation with either rhetoric or aesthetics, because of the…

  • ACADEMIA

    No false witnessing

    No  false witnessing

    Walker’s solution, by digging in history and archives and turning the objects she has found into an…

  • ACADEMIA

    The not being-there in the being-there

    The not being-there in the being-there

    The making of a drawing can be considered as an icon for apostrophe, since the maker of the drawing…

  • Article

    References

    References

    Barilli R (1989) Rhetoric (trans. G Menozzi). Minnesota UP, Minneapolis.

    Berg van Sapoera C J G L…

  • ACADEMIA

    Media change dynamic of Apostrophe

    Media change dynamic of Apostrophe

    One pivotal aspect with regard to theatricality is that it manifests itself in a present, in the…

  • ACADEMIA

    The Jewelled Hair-comb, by Maria Dermôut

    The Jewelled Hair-comb, by Maria Dermôut

    Maria Dermôut was born in Pekalongan, in 1888 as a member of a family that had lived in the Dutch…

  • Article

    playing in the medited corridor

    playing in the medited corridor

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  • ACADEMIA

    Who is witnessing the destruction?

    Who is witnessing the destruction?

    The point is ironically illustrated by some of Walker’s pieces that depict the biblical flood or…

  • ACADEMIA

    Turning away to adress the audience

    Turning away to adress the audience

    With regard to apostrophe’s powers to affect an audience, the Quintillian-passage may serve to…